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Using SONAR 2.x & Home Studio 2004's By Jesse Recinos, Cakewalk There are a number of DXi enhancements in SONAR 2.x and Home Studio 2004. Two of the biggest improvements are the Synth Rack and automation from the synth interface. Read the tech tip below to learn how to take advantage of these features. SONAR 2.x and Home Studio 2004's new Synth Rack
SONAR has always been about enhanced workflow without
sacrificing power. With the new Synth Rack view, you can easily insert
instruments or ReWire devices into your project. SONAR and Home Studio
will automatically create the host Audio and MIDI tracks for the instrument,
assign the proper inputs/outputs, and link the Mute/Solo functions together.
Even with the exceptional optimization found in the DXi format, you can still sometimes get carried away with the number of synths and effects you try to use, which might push your CPU to the limit. Simply bounce down some synth tracks, then Bypass the DXi from the Synth Rack to reduce CPU overhead in your project. The Disconnect button in the Synth rack will turn red to remind you that the synth is offline. Automating using the synth interface Another great new feature in SONAR 2.x and Home Studio 2004 is the ability to automate DXi parameters on the fly from the synth's UI (user interface). Twist a knob in real-time and SONAR and Home Studio will record and play back all of your tweaks. Lets take a look at how easy it is using the DreamStation 2.0 DXi found in SONAR 2.0 and Home Studio 2004. First, well add DreamStation to our project by using the Synth Rack. Once the MIDI and Audio tracks have been added, record or copy and paste some MIDI data. In this instance Ive copied in a funky bass line with a Synth Bass preset.
DreamStation will send out its controller data as MIDI, so you can record this automation to your existing MIDI Track. First, make sure to set the following options: In Options | Global | MIDI make sure that Echo DXi Input
to All MIDI Tracks is checked. Now arm your MIDI Track, press Record and start adjusting the parameters. In this case Im going to raise the Resonance and then lower the Cutoff for a classic analog filter sweep. When youre done, you should see something resembling the following:
Youll notice the automation recorded on the same track as the MIDI data. Of course, if youd like to keep the automation and MIDI notes separate, you can record the automation to a different MIDI track instead. You can repeat this multiple times, recording a different parameter every time. These are just a few of the really cool things that SONAR 2.x and Home Studio 2004 bring to the table.
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