Figure 579. Alias Factor.Alias Factor combines bit crushing and low pass filtering in a unique way, allowing you to decimate your audio to create tones as varied as vintage samplers, cell phones, or old video games. Decimator effects are nothing new, but Alias Factor generates this effect using a special technique that generates aliasing without the unwanted harsh effects provided by other options, offering sounds that are grainy in a “smooth” and organic way. Alias Factor also allows for further creation of attention grabbing new timbres by linking a low pass resonant filter to the decimator for a new means of tweaking your sound.For more information, see the Alias Factor online Help.Figure 580. Boost 11 Peak Limiter.The Boost 11 Peak Limiter is a transparent peak limiting and volume maximizing plug-in for mixing and mastering purposes; it is designed to reduce peak levels without coloring the sound. Boost 11 uses a “look-ahead” limiter algorithm to prevent output clipping and PDR (Program Dependent Release) to minimize pumping (audible fluctuations of the volume) and maximize the loudness. “Look-ahead” means the limiter analyzes the audio input ahead of time by delaying the output for approximately 1.5 ms. Boost 11 supports sampling rates up to 192 kHz, mono and stereo operation, and double precision processing.For more information, see the Boost 11 Peak Limiter online Help.Figure 581. BREVERB 2 Cakewalk.BREVERB 2 Cakewalk by Overloud provides world-class studio reverb. Dozens of professional presets are included, covering a wide range of applications from mixing to post-production. Cakewalk includes both VST and ProChannel versions of BREVERB 2 Cakewalk. For details, click the Help button in the BREVERB 2 Cakewalk VST version.Figure 582. Channel Tools.The Channel Tools plug-in provides easy and powerful channel processing for gain, Mid-Side decoding, delay and stereo panning. Channel Tools is ideal for enhancing and adjusting stereo separation for stereo tracks and full mixes.With Channel Tools you can:
For more information, see the Channel Tools online Help.Figure 583. Classic Phaser.This is a classic phaser effect that uses a modulating notch filter with a feedback loop. The “Quadra” mode provides extra wide imaging and animation.For more information, see the Classic Phaser online Help.Figure 584. Stereo Compressor/Gate.Stereo Compressor/Gate combines a compressor and a gate into a single effect, so you can increase the overall dynamic level of an audio signal, without distorting the loud parts, and without excessively boosting low-level noise. You can manually trigger the gate via MIDI, which makes it simple to produce stuttering effects.For more information, see the Stereo Compressor/Gate online Help.Figure 585. HF Exciter.HF Exciter lets you enhance the higher end of the frequency spectrum. This produces the psycho-acoustic affect that the signal is brighter and clearer. This is done by adding harmonic content that is not present in the original signal.For more information, see the HF Exciter online Help.Figure 586. Mod Filter.Mod Filter produces a dynamic filtering effect, in that the actual filter can respond to incoming signal or follow the cycle of a tempo-synchronized LFO. The filter itself is a low-pass filter type, which filters out higher frequencies.For more information, see the Mod Filter online Help.Figure 587. Multivoice Chorus/Flanger.Chorus/Flanger lets you add depth and thickness to the signal. The EQ section in the feedback path allows you to create some truly unique sounds.For more information, see the Multivoice Chorus/Flanger online Help.Figure 588. Para-Q.Para-Q is a two-band true parametric EQ that can be used to boost or attenuate generally high or low bands of the signal. It consumes very little processing power, which allows you to use it on many tracks simultaneously.For more information, see the Para-Q online Help.ProChannel is an extended channel strip that provides high-quality compressor, equalizer, tube saturation, console emulation, tape emulation, and convolution reverb processing for each audio track, Instrument track and bus.Figure 589. ProChannel.Figure 590. Sonitus fx: Compressor.fx:compressor is a variable-knee compressor with built-in peak limiting. The purpose of a compressor is to limit the dynamic range of music or sound. Compression will make the loud parts of the signal more quiet, resulting in a more or less even level.For more information, see the Sonitus fx: Compressor online Help.Figure 591. Sonitus fx: Surround Compressor.The Sonitus Surround Compressor is an enhanced, surround-capable version of the Sonitus:fx Compressor plug-in. The Surround Compressor is comprised of four stereo compressors. After you patch the compressor into a surround bus, you can direct any combination of the bus's input channels to any of the four compressors, sending any combination of stereo channel pairs, the center channel, and the LFE to the compressor(s) you choose. By default, all channels feed into compressor 1, and you can then redirect channels to the other three if you want.For more information, see the Sonitus fx: Surround Compressor online Help.Figure 592. Sonitus fx: Delay.For more information, see the Sonitus fx: Delay online Help.Figure 593. Sonitus fx: EQ.fx:equalizer is a 6-band parametric equalizer with selectable filter types for each band and frequency response graph. Equalizers are instrumental in fine tuning the frequency spectrum in all kinds of music and sound. They let you use different filtering techniques to attenuate, cut or boost a specific frequency or a range of frequencies, allowing you the shape the overall characteristics of the audio signal.For more information, see the Sonitus fx: EQ online Help.Figure 594. Sonitus fx: Gate.fx:gate is a dynamic gate with side-chain filtering and lookahead. The fx:gate plug-in has wide variety of uses. It can function as a noise gate, which quite simply gates (or blocks) signals whose amplitude lies below a certain threshold, and lets other signals through. This is useful for eliminating background noises, such as hiss or hum, during periods of silence in a recording or performance.In addition, it also features a tunable peak Punch mode that makes it possible to add transient punch to frequencies lacking in individual drum sounds, adding greater definition and presence to the gated signal. Using the variable high pass and low pass side chain filters enables you to perform “frequency conscious” gating. The gate can also be switched from Gating to Ducking mode for removal of clicks and pops.For more information, see the Sonitus fx: Gate online Help.Figure 595. Sonitus fx: Modulator.For more information, see the Sonitus fx: Modulator online Help.Figure 596. Sonitus fx: Multiband.fx:multiband is a 5 band variable knee compressor with both normal and vintage compression modes and output limiter.Using a multiband compressor has many advantages over using a traditional (“single band”) compressor when it is used on audio signals containing complex harmonic material like a complete music mix.
For more information, see the Sonitus fx: Multiband online Help.Figure 597. Sonitus fx: Phase.
For more information, see the Sonitus fx:Phase online Help.Figure 598. Sonitus fx: Reverb.Reverb or reverberation is the effect of resounding echoes in a room or other enclosed acoustic environment. Reverb can be seen as a series of echoes so dense that they can't be told apart from each other. fx:reverb emulates the phenomenon of sound being reflected off walls in a virtual room, and allows you to add reverb that resembles the character, decay and frequency response of various environments.For more information, see the Sonitus fx: Reverb online Help.Figure 599. Sonitus fx: Surround.fx:surround is a surround sound panner with built-in Doppler and attenuation rendering for distance and velocity effects, joystick control and graphical path editing.For more information, see the Sonitus fx: Surround online Help.Figure 600. Sonitus fx: WahWah.fx:wahwah is a guitar effect emulator. A classic guitar effect, the wahwah stomp box became an instant hit when it was introduced in 1966. The Vox wahwah was the first, and was soon followed by a multitude of similar designs. It was dubbed wahwah because of its unique vocal-like sound. fx:wahwah is a digital adaptation of the analog designs, and is modeled after real-life wahwah stomp boxes like the Morley Pro Series Distortion Wah, Jim Dunlop Crybaby Model GCB-95 and Model JH-1 (Jimi Hendrix).For more information, see the Sonitus fx: Wah Wah online Help.Figure 601. Tempo Delay.Stereo Delay produces a tempo-synchronized echo on whichever channel it is patched to. The three-band EQ section in the feedback path allows you to create some truly unique sounds.For more information, see the Tempo Delay online Help.Figure 602. TH3 Cakewalk Edition.TH3 Cakewalk Edition by Overloud provides realistic guitar amp models from clean to crushing distortion.This special edition includes 12 amplifier models, 11 cabinet models, 12 stomp box effects models, 3 microphone models, delay and reverb master effects and dozens of presets. Easily build or modify your own signal path.For more information, click the MANUAL button inside TH3 Cakewalk Edition.
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